Showing posts with label old. Show all posts
Showing posts with label old. Show all posts

Thursday, February 6, 2014

"Polly's Secret" Book Review


Polly's SecretPolly's Secret by Harriet A. Nash
My rating: 4 of 5 stars

Polly Jane Brooks is the youngest daughter of a landlord who owns a hotel in a little town. Polly dreams of bigger things in her life besides work. In particular, she doesn't like to miss the ball happening tonight, with her specially made silk dress and dance slippers sitting away in her room while she toils with her sister in the kitchen, making food for the guests. A sick and elderly traveler arrives at the hotel. Polly is ordered to bring him some gruel and it is there that she makes a solemn promise to keep the deeds to his house and property safe from greedy relatives until his son, William Train, should arrive back from India and claim them.

Since no one else has read this (I had to manually add the book), I feel obligated to provide an honest review. Here I go.

This is a growing-up tale about a young girl in a small town in Massachusetts. The ending is as happy as you would expect. The women get married and they all get rich, and the bad guys are shamed though not outright punished because that would be a bad trait to develop in a young woman.

It's cute and quaint in its way. It has a nice charm to it and it has all of the ideals from when it was written. It has aged considerably. The book does a good job of looking like it's neutral but it doesn't quite spare anyone. There is some anti-feminist and a few racist remarks that are subtle because this book strives to be a book written for young girls. I didn't mind that too much, but it did rankle my pc sensibilities a bit. There was one word that I didn't expect to see but wasn't surprised to see considering when it was written. To give a hint: It was published during the 1920's when the Ku Klux Klan was at its peak in membership and "Birth of a Nation" was a huge movie for its time. I'm sure you know what word I'm referring to now, but I will not state it here.

There's a scene where basically everyone pulls their daughters from the only school in town. Polly seems perturbed by this but is quickly quieted by the local old spinsters down the block. Although other women lament not being able to understand their husbands at times. And pretty much everyone gets married to the one they are "most suited" for even if it seems to be kind of against their will. But that's to be expected.

They didn't treat the older sister as well as the younger. She marries the richer husband, for most of the book anyway, but they keep saying how plain she is, how matronly, how dull, how dumb. Especially next to Polly, who is beautiful and smart and fun. But Deborah's work ethic is much better; all the more ironic that she gets a rich husband and doesn't have to do anything but have kids. She must be bored out of her mind.

The book's very into the idea of honest men doing honest work on the farm rather than becoming lawyers and doctors. The most intelligent person in the town is the schoolteacher and he's kind of nasty but makes a few good points. But he is chastised into retirement onto his farm and the only other teacher is a nonentity.

It was a cute, like I said. It has aged a bit, but its romanticism of the old way of life won't be lost on a few people. As far as I can tell, the author got the accent down right, but I'm not sure if all the poor people speak like that. The few illustrations it has are beautiful. Not sure if I should marker that word out or not. It does bother me that some young person will read it and wonder what the hell it is doing in this book.

View all my reviews
I give you 3.5 out of 5 yonder stars.

Wednesday, April 17, 2013

Typeface Review: "Bodoni"

What It Looks Like:
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It's History: "Bodoni is a modern serif typeface, with high contrast between thin and thick stroke weights, and a slightly condensed shape. It was based on the work of John Baskerville, but has taken his ideas to a more extreme conclusion. There are a few variations on Bodoni, some with more transitional shapes (including ITC Bodoni and Bodoni Old Face), and some more modern.

Picture found here.
"Bodoni was first designed by Giambattista Bodoni in 1798. In addition to the influence from Baskerville, Bodoni was also influenced heavily by the work of Pierre Simon Fournier and Firmin Didot." (Source #1)

What Type of Font It Is: Didone; "This category of types, also known as Modern, is based upon the typefaces produced in the late 18th and early 19th centuries in Italy by Giambattista Bodoni (1740 - 1813) and in France by Firmin Didot (1764 - 1836).

"Didones are most commonly used for display and semi-display purposes, where the accentuated contrasts of stroke width create dynamic and elegant graphic effects. While these characteristics are moderated in the smaller sizes to allow for their use in text setting, the extremes of contrast impair readability, making them a less practical choice where large amounts of copy are to be set." (Source #2)
Picture found here.
How You Can Design With It: "Bodoni, for the most part, is best suited to larger font sizes. Because of the extreme variation between thin and thick strokes, it can degrade at small sizes and become illegible (specifically, it creates an effect known as “dazzle”). There are some typeface variations though, that are optimized for use at smaller sizes (including Bodoni Old Face at 9 points, ITC Bodoni 12 at 12 points, and ITC Bodoni 7 at 7 points).

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"Bodoni is well-suited for use in modern designs where a serif typeface is desired. It’s a great serif for use in headlines and subheads, though some variations can be used for body copy, too. Some of its more recognizable uses can be found in the logo for grunge band Nirvana, and on the Mamma Mia! posters." (Source #1)

"Like most Didones, it can be effective in the setting of extended text, provided the printing and paper is of sufficient quality to ensure that the delicate hairlines and high contrasts are retained. All weights and widths of the Bodoni family can be used to dramatic effect as display faces." (Source #3)
Picture found here.
Where You Can Get It: You can download free versions of the font at FontSpace, UrbanFonts, CoolText, or DaFont. Or you can purchase the font at either MyFonts. There is also a newer version created by Heinrich Jost in 1926 called "Bauer Bodoni", which is slightly cheaper to purchase on websites, MyFonts and Linotype. (Source #3)

Descriptive Terms for It: Classic, Didone, display, large blocks of text, logo, logo design, logos, modern, old, and serif.

Sources:
- #1 - http://www.webdesignerdepot.com/2011/08/the-most-popular-fonts-used-by-designers/
- #2 - The Complete Typographer: A Manual for Designing with Type" by Will Hill, 2nd Edition, p. 94
- #3 - The Complete Typographer: A Manual for Designing with Type" by Will Hill, 2nd Edition, p. 96

Examples:
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Wednesday, April 3, 2013

Typeface Review: "Trajan"

What It Looks Like:
Picture found here.
It's History: "Trajan was designed by Carol Twombly in 1989 as a faithful transcription of the 1st-century AD letters on the Trajan column in Rome.

"Because of its origins, Trajan does not have a miniscule lowercase but has instead a small-cap lowercase, comprising capital forms of a slightly lower height. It has proved an extremely popular titling face, combining classical authority with great refinement of form." (Source #1)
Picture found here.
What Type of Font It Is: Glyphic; "This is a category of carved or inscribed type with its origins in both the history and the contemporary practice of letter cutting, and its main exponents have been equally distinguished in the letter crafts.

"Glyphics are primarily a titling form and many have no lowercase. Mantinia and Trajan exist only in capital form. Some of the Germanic Glyphics can be effectively used for limited amounts of text setting, providing a tonal depth similar to that of the heavier Humanist revival faces. Their weight can create a more dramatic color in a text page but their application in this context is fairly specialized." (Source #2)
Picture found here.
How You Can Design With It: "Trajan is available in regular and bold weights, and is suitable for a range of titling functions. It is also suitable for architectural and environmental use, particularly in contexts involving reference to classical concepts or values. If it is to be paired with a text face, this should be based upon similar classical proportions, and care should be taken to compliment the delicacy of the strokes and serifs." (Source #1)

Where You Can Get It: You can download the font at FontPalace or you can purchase the font at MyFonts.

Descriptive Terms for It: Classic, Glyphic, Greek, headings, no lowercase, old, Roman, serif, sub-headings, and titles.

Sources:
- #1 - The Complete Typographer: A Manual for Designing with Type" by Will Hill, 2nd Edition, p. 144
- #2 - The Complete Typographer: A Manual for Designing with Type" by Will Hill, 2nd Edition, p. 142

Examples:
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And every movie poster ever.
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Tuesday, February 19, 2013

Typeface Review: "Clarendon"

What It Looks Like:
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It's History: "Clarendon is a slab-serif typeface, and is considered to be the first registered typeface with the original matrices and punches remaining at Stephenson Blake and later residing at the Type Museum, London. They were marketed by Stephenson Blake as Consort, though some additional weights (a bold and italics) were cut in the 1950s. It was named after the Clarendon Press in Oxford. There’s only moderate contrast between thick and thin strokes, common of slab-serifs. It was originally designed by Robert Besley [in England] for the [Thorowgood and Co. then known as] Fann Street Foundry in 1845. It was later copied heavily by other foundries. Due to its popularity, Besley registered the typeface under Britain's Ornamental Designs Act of 1842. The patent expired three years later, and other foundries were quick to copy it." (Source #1 and #2)

"It was polished by Edouard Hoffmann and Hermann Eidenbenz at Haas Foundry a little over a century later. Haas’ revival of this typeface in 1953 precipitated the revivals that follow." (Source #3)

Picture found here.
What Type of Font It Is: Slab Serif. Slab Serif typefaces developed from large-scale display letters used in both woodblock letterpress printing and architectural lettering. The robust forms and substantial serifs of the Clarendons and Egyptians were perfectly suited to casting as relief forms in metal, and as a result they feature in many Victorian engineering projects as well as appearing in posters, playbills, and other promotional materials of the time.

"At their best, Slab Serifs are both robust and colorful, with the serifs providing a strong continuity of line. The historic Slab Serifs are generally most effective in the heavier weights. Clarendons, in particular, are useful in text setting, particularly in cases where a greater weight is required than might be provided by more traditional text faces." (Source #4)
Picture found here.
How You Can Design With It: "Clarendon is among the most evocative and colorful of the Victorian faces. The lighter weights are a later development that extends the functionality of the face, being more suitable for text setting than the bold form that is the basis of the genre. [....] Clarendon will hold its legibility fairly well when used as a screen font in web applications or when printed onto low-quality paper. [....] It is also effective for architectural and environmental applications, because the strong serif forms can be easily cut out and reproduced in three-dimensional media." (Source #5)

"Clarendon has strong letterforms common to slab serifs. It’s also a very readable typeface, which makes it appropriate for use at somewhat smaller sizes. Strong letterforms make Clarendon a great choice for things like signs, logos, and headlines. It’s already used by companies like Sony and Wells Fargo in their logos." (Source #1)

"The font was used extensively by the government of the German Empire for proclamations during World War I, and was also common in wanted posters of the American Old West. Craw Clarendon Bold was used by the United States National Park Service on traffic signs, but has been replaced by NPS Rawlinson Roadway. In 2008, the typeface was utilized extensively by the Ruby Tuesday restaurant chain in the re-launch of their corporate identity. Via, the travel magazine of the American Automobile Association, uses the typeface for its logo and headline copy." (Source #2)

Picture found here.
Where You Can Get It: You can purchase it at these locations for varying prices: Adobe, LinoType, FontShop, and MyFonts.

Descriptive Terms for It: Display, large blocks of text, old, poster design, serif, Slab Serif, Victorian, and whole family.

Sources:
- #1 - http://www.webdesignerdepot.com/2011/08/the-most-popular-fonts-used-by-designers/
- #2 - http://en.wikipedia.org/wiki/Clarendon_(typeface)
- #3 - http://www.myfonts.com/fonts/bitstream/clarendon/
- #4 - The Complete Typographer: A Manual for Designing with Type" by Will Hill, 2nd Edition, p. 102
- #5 - The Complete Typographer: A Manual for Designing with Type" by Will Hill, 2nd Edition, p. 104

Examples:
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