What It Looks Like:
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"One of the finest modern adaptations of the Garamond model, Jan Tschichold's Sabon stands as the culmination of a hugely influential typographic career in which type design developed alongside book typography and critical writing.
"It is names for the punchcutter and type founder Jakob Sabon of Lyons, who is credited with bringing the Garamond types originating with Plantin or Granjon into use in Franfurt, thus introducing the Garamond model into German printing. Sabon is, however, far more than a literal revival, since it incorporates characteristics drawn from the different sizes of the Garamonds to form one consistent and definitively 20th-century interpretation of the ideas that they embody." (Source #2)
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"All typefaces originating in hand-cut punches showed a considerable variation of form according to size, with the serifs relatively heavier and the modulation of stroke width less pronounced at smaller sizes. These considerations are crucial to the effective design or adaptation of Garalde faces, and distinguish quality recuts and original faces in the Garalde tradition." (Source #3)
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"Sabon is a highly legible typeface, with moderate contrast between thick and thin strokes. That makes it suitable for use in a variety of sizes.
"Sabon is a favorite for typesetting book copy, and is well-suited to any traditional or formal design." (Source #1)
"Sabon is a favorite for typesetting book copy, and is well-suited to any traditional or formal design." (Source #1)
"It has an elegant bold font, and it is exceptionally balanced and legible across italic and roman in both its weights. It has a harmonious visual consistency and few obtrusive distinguishing features - an inclined stress, open counters, and a complementary interaction between characters. It incorporates expert set features, including small caps, ligatures, and non-lining numerals." (Source #2)
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Descriptive Terms for It: Book copy, Garalde, Jan Tschichold, large blocks of text, large bodies of text, legible, Old Style Serif, serif, traditional, and whole family.
Sources:
- #1 - http://www.webdesignerdepot.com/2011/08/the-most-popular-fonts-used-by-designers/
- #2 - The Complete Typographer: A Manual for Designing with Type" by Will Hill, 2nd Edition, p. 76
- #3 - The Complete Typographer: A Manual for Designing with Type" by Will Hill, 2nd Edition, p. 72
I like a lot of the typographic posters featured on this post. Very cool!
ReplyDeleteYes, thank you. Sometimes I see some typographic posters and go 'meh' but these ones were pretty cool.
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